The work of Portishead co-founder the musician-producer, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single important plot development, but it leads to a comically executed chaotic run on the woodland paths that dips close to rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.
Game releases in British and Irish cinemas from 17 November.
